Like this, she could never be a mother, a wife, someone who is with her equals. She tells herself that she would rather have been a slave, tolling for others her whole life and not this. That abyss of despair becomes a wish, a wish that she was never adopted. And, once she becomes aware of her вЂњOthernessвЂќ, it will destroy her.Д«it by bit she fades.

That single fact erases every other thing about her.

Both from the outside and the inside, she is everything one might desire from a woman in that era. It shows just how devastating the realization can be. One thing that is truly striking about this novella is how the author can understand and portray what it is like to be вЂњThe OtherвЂќ. SheвЂ™s a child of a slave from Senegal, saved by an aristocratic French lady. The plot of the novella follows a sick nun, retelling her life story to a doctor. She was seen as a writer of little regard, who primarily writes sentimental novels with little real artistic value. From the first few sentences, you can tell how brilliant of a writer she is. Reading this book, one canвЂ™t help but think that she was a woman born in the wrong times. Ourika, like much of her work handle with complex subjects, often portraying the oppressed and marginalized characters. It was published in 1823, with little pomp or acclaim. This work, Ourika was one of the few of her works that were published during her lifetime. He would encourage her to write and he also helped her publish her works. There she met another French exile who will influence her career greatly Chateaubriand. She was born in France but had moved to London during the French Revolution. What we do know of her is that she was a duchess of Duras. She wrote about her experience in three works: The Sea Wall, The Lover, and The North China Lover.Not much is known about the life of Claire de Duras. A section that does not appear in any other version of the book.Д«arbara Bray's English translation won the Scott Moncrieff Prize and PEN/Book-of-the-Month Club Translation Prize in 1986.Дuras published The Lover when she was 70, 55 years after she met LГ©o, the Chinese man of her story (she never revealed his surname). In the first version of Avital Inbar's Hebrew translation (Maariv publishers, 1986), there is (page 11) an excerpt, dictated by Marguerite Duras on the phone to her translator. This second version also contains more humor than the original. There are two published versions of The Lover: one written in the form of an autobiography, without any superimposed temporal structures, as the young girl narrates in first-person the other, called The North China Lover and released in conjunction with the film version of the work, is in film script form, in the third person, with written dialogue and without internal monologue.

Thus, she becomes his lover, until he bows to the disapproval of his father and breaks off the affair.ДЇor her lover, there is no question of the depth and sincerity of his love, but it is not until much later that the girl acknowledges to herself her true feelings. He strikes up a conversation with the girl she accepts a ride back to town in his chauffeured limousine.Д¬ompelled by the circumstances of her upbringing, this girl, the daughter of a bankrupt, manic depressive widow, is newly awakened to the impending and all-too-real task of making her way alone in the world. She attracts the attention of a 27-year-old son of a Chinese business magnate, a young man of wealth and heir to a fortune. In 1929, a 15-year-old nameless girl is traveling by ferry across the Mekong Delta, returning from a holiday at her family home in the town of Sa ДђГ©c to her boarding school in Saigon. Set against the backdrop of French Indochina, The Lover reveals the intimacies and intricacies of a clandestine romance between a pubescent girl from a financially strapped French family and an older, wealthy Chinese - Vietnamese man.

The lover duras guttenburg